You’ve still got time
You’ve still got time
Creating Characters International Symposium at Humber Institute of Technology and Learning (ITAL), Lakeshore Drive, Toronto is finished. Mine was the last presentation of the three days and went well. The last day we had Barry Flatman, Joseph Kertes, and Wayson Choy attend. They discussed creating characters and both the break from the presentation of papers style and the content, what they discussed and the way they discussed it was really good. Overall the symposium was excellent. Lots of interesting conversation after each of the varied events. People were from Toronto, Barcelona, Manitoba (Winnipeg), Oklahoma, New York, Ireland, South Korea, Perth, Oporto (plus other places I’ve now forgotten) with the disciplines being as varied as the journeys we had made.
Hopefully details of how to access the publication will be forthcoming soonish.
Next’s year’s takes in Barcelona, March 2015 and i’m hopeful the dates will match up with what else I’ve got going on.
I’ll no doubt post details in about 8-10 months time.
Pic of the fantastic Niagara Falls. Ideas can’t simply come from talking, they ahve to be floating about in the mist also.
Whilst at the conference a fellow delegate mentioned this Screenwriting Research Network network which i’d not heard of before
Heading off to the airport now.
Paper done and delivered, trains, flights hotel booked. Super busily trying to get stuff sorted before I go. Working on presentation. Thinking of doing it in Motion to play with that tool.
Never used it, some experience of AE but wanting to deliver some teaching in Motion anyways so it’ll be a good opportunity. Aiming to get something done over the next week. Already done a Keynote pres that i’ll be converting to ppt so if the Motion I create is shit/doesn’t happen then I’ll already have one done. Thinking of taking my computer which I don’t normally do. Not seen the presentation schedule yet but if i’m later on not earlier on, then I’ll almost certainly take it so I can work on the presentation in the evenings, around the conference dinners, sightseeing etc or just to have it and play from my machine. I’ve a Henry Miller quote that I want to record as audio to play in also alongside mostly text and taking my machine will ensure that it all works. In Avanca last year for the avanca cinema film festival/conference (check it out and go if possible.) I spent ages making sure my videos were going to play properly only to have a machine that didnt deal with video codecs so the edited intro video that i’d worked on didn’t work as I only had the opp to test it literally a few seconds before the presentation. I had to improvise.
Reminder of conference here
Reading John Yorke’s Into The Woods: A 5 Act Journey Into Story. Yorke set up the BBC Writers’ Academy so has tons of experience. He then went on to Company Pictures I believe.
Only just started book and it’s reading really well so far. Appendices material in particular looks good.
It’s a library book so having to read it now while my 3 weeks are ticking but handy as I’m also re-writing 57 Images of My Father and ideas and more usefully questions are sparking up.
Link here to 30 screenplays courtesy of The Film Stage website. Get reading if interested. Mot are pdf’s. The Fifth Estate is a webpage.
I’m reading Magical Mystery Tours: My Life With The Beatles by Tony Bramwell (written with Rosemary Kingsland who presumably acted as ghostwriter.
I’m not particularly interested in the Beatles as anything other than a cultural phenomenon but I am always interested in the people on the sidelines of history. I got Bessie Blount: Mistress to Henry 8th by Elizabeth Norton from the same library at the same time which I think illustrates this interest of mine.
I half remember the ‘no man is a hero to his valet’ quote that I first became aware of many, many moons ago and this perspective of the engaged and interested observer view of ‘great events’ is something that I find endlessly fascinating and is something that often drives a lot of my own writing.
Upgraded to Mountain Lion months ago and last week I tried to open my version of Final Draft 8 and of course it didn’t work. What i’ve written loads of stuff sicne then. Made me realise I’ve been working in CELTX and not FD for about 18 months or so.
I’ve installed the new Mountain Lion compatible version of FD so no biggy but this shows me the type of work i’ve been doing reccently and also where this work has been palced. Not for TV/Film but for theatre and the museum VR piece i’ve recently been commissioned to do and am currently working on. This seems to speak to me about how these different industries respond to the idea of ‘the draft’. FD is much more visibly interatively designed it seems to me. Visible Iterations on my stageplays always seem to cause ‘reading’ and ‘scanning’ problems in a way that they don’t in Film and TV. I think there’s a research paper somewhere in here about communication design. As ever context is king/key/queen/emperor/lord.