You’ve still got time
You’ve still got time
After my David Peace marathon of reading all of his work (just finished Tokyo Year Zero the last one of his works that I had yet to read) and finishing off the latest draft of my play 57 Images Of My Father (in readiness for the Inside Out festival, taking place at the Curve Leicester from Thursday this week) I’m now reading Ben Myer’s Pig Iron.
Just started reading it but it’s shaping up to be a good read from the few pages into it that I am.
80-odd pages into my latest draft of 57 Images Of My Father. Working on it for the Inside Out competition I’ve posted about earlier.
The festival wil show a ten minute extract of all 7 selected writer’s work. I’ve decided my extract section I think but reserving judgement until I get to the end of the draft. Chosen a section that has high energy and has the comic aspects that are an important element of what is quite an esoteric idea. The set-up’ll need some explanation though. I was going to go from the first ten minutes as that is also comic and would have provided some of the exposition but think the new extract selection will be better for the audience to enjoy. Whatever section will be out of context so might as well go with one that pushes the actors and will be fun to play with for all involved in setting up the extracts.
I’m at the stage where I need to print the draft out as I’m struggling to see the shape now. I’ve got a beats treatment and am working to that but need to get the shape of the entire thing so I can then have some time next week working to the Friday delivery and I need to to do that on paper. There is no requirement of the scheme to have an entire new draft but that’s what i’m doing. Spent most of my time trying to focus the ‘journey’ of the two main characters and feel there’s a definite improvement.
Had my meeting today with Suba Das and Henry Swindell to chat 57 Images.
Good to see that the faults in the script were obvious to spot. Got a month to remedy. The idea is that the presentation on 12th April won’t be script in hand so actors’ll have a week or so with script before working on staging days before the showings.
My script is ambitious and asks big questions so already working on ideas generated as a result of the feedback. Script has been around for time so be good to feel that I’ve cracked it with this next draft.
Officially informed today that I’m one of 7 playwrights selected for the Curve Theatre’s Playwriting Competition with ’57 Images of My Father’.
There’s going to be a reading event at the Curve on Saturday 12th April.
Winner, announced on the night gets a year of R&D.
Ishy Din and
Good opportunity for me to crack this project that’s been around in my head for awhile. Something’s missing and I still can’t feel what it is yet.
I’ll update as I go along.
I always like this time of year because as the Oscars approach screenplays from the last 12 months or so become easily accessible as all the ‘for your consideration’-ing mean the studios, productions companies, MGM, The Weinstein Company, etc put all of their wannabes in one place. All pdf’s. There are lots of alternative sites, I like Drew’s-scriptorama over simply scripts and imsdb but slight irritation at the multiple formats (html, pdf, doc) as I prefer pdfs for my e-reader.
Writer’s Guild on twitter had a link to some of the sites but I guess if you search around directly on the sites you’ll find the downloads available.
The only problem with reading these if you’ve not seen the film was highlighted when I watched The Iron Lady last night I spent the first 20 minutes convinced I’d seen the film already. Reading the screenplay about a year ago but not seeing the film until last night was the problem. Usually the gap is shorter between the reading and the seeing.
Just seen this.
Hurry up though as deadline is 7th November.
All writers have ‘drawer’ projects though right?