First session starts tomorrow. No idea how many kids will show, how long they’ll stay, how much they’ll say. Fantastically unknown just as I like this. I have a plan but I love the flexibility that is required with sessions like these. Trying to sort out an audio recorder so I can keep the words. I usually like to go with ‘the flavour of my reminisences’ when writing based on rehearsals or workshops or improvisations rather than go for a verbatim approach but as this project is more verbatim I am trying the recording to see what that brings and what it might detract.
Completed the Antagonist’s script pass last jnight. Now for structuring. I think the first half is too long so will look to restructure and also make the fisrt twenty minutes funnier
Completed a pass of the script last night. Was looking at the main character’s journey so did a pass of the script with that in mind. Will now concentrate on the antagonist next with the other three characters following before emailing draft on Monday. Hoping for a ‘line-by-line’ meeting the following week allowing one final pass before emailing script to the actors to read before the rehearsals.
Will be starting to bang the publicity drum louder and more frequently soon.
Took part in a radio interview on BBC Radio Nottingham earlier today. It was to talk about my participation in Decibel09 as an east midlands/nottingham practitioner. The phone call to set it up came out of the blue but agreed as happy to bang the publicity drum for momentum, twp decibel09 (which has now finished) and for other nottm practitioners. I mentioned hetain patel’s show ‘Ten’. David ‘stickman’ Higgins is also in the show. I caught the extract at decibel09 and it’s a good show.
Trying to get those tickets sold for 26th and 27th October.
Delivered the pitch for my comedy 57 Images Of My Father at Decibel09 performing arts showcase yesterday. It went well, enjoyed it and had some immediate interest from a venue, a director and an Art Council employee advised me on funding strategy to get the project rolling so that was good. I also overheard people afterwards discussing approaching me for more info so I’ll let next week shake out and then start following up on some of the delegates who attended the sold out session. The pitch training in July was really useful in helping me structure the presentation and take it seriously.
Here’s the rough structure I had in my head. I improvised around it a little rather than try to memorise it.
– My name, project title, current project history
Imagine a photo task. Malachi’s task. Limbo. Comedy. Stuck. Last chance. Describe Images. Successful creation of a narrative makes interview candidate a suitable fit to be born. playing with the ‘you can choose your friends but not family adage’
WHAT I KNOW AND WHAT I DON’T KNOW SECTION
WHAT I KNOW-
*why I am writing this
* imagine you can invent your family, what characteristics would you choose for your parents?
* a show about family, memory, nature vs nurture
*to commit to the development process I enjoy
-WHAT I DON’T KNOW
*whether the absurdist form is the best for the story
* Who and how many characters. There are currently four in my head.
*How the story ends
Want to collaborate to discover an unusual, innovative comedy for your audience
Momentum shows in October
57 Images is a comedy about family, photography and consistently forgetting to flush the toliet after a poo.
I actually forgot to do the curent projects bit as I had moved it in my head at the last moment but luckily someone from the Birminhgam rep asked me about my writing background so I got to do that bit.
Lots of good feedback occurred throughout the day with people coming up to me to make a point of saying they enjoyed the pitch and to suggest endings. Cheers for that.
Had a good meeting yesterday. Lots of good ‘general shaping’notes. Notes about enhancing what is already there to strengthen characterisations. Aiming to get a rewrite done over the next two weeks so we can then have a ‘line-by-line’ script meeting next. Script will be going out to the actors soon so we all need to be suitably clued up in order to reflect, enhance, deliver during rehearsal and performance on 27th October.
I love ‘line-by-lines’ as talking about it usually clarifies it for me. The specific attention to detail that looking at every line brings I find really useful and enjoyable.
I am where I usually am at this point in the process and can see it being good once Director Kate Chapman and Actors (as yet not cast) bring their stuff to it. Now I need to tweak, restructure bits, switch lines, tiny detailed stuff mainly.