June 26, 2008
So the Fela’s Wives Stageplay currently entitled “the Wives (Many) of Fela Anikulapo Kuti” is coming along nicely. I am about 30 minutes into it. Written a beginning to end of Act One which currently comes in at around 20 pages (20 pages with my writing style and with some of the sequences written so far clock in at about 30 minutes I reckon) and I have now moved onto Act Two. Decided to move on to Act Two rather than finish Act One as it was starting to feel a little forced, so with my new God Particle philosophy in mind I moved on.
God Particle. In a long deep underground tunnel in Switzerland mad (entirely subjective and in no way meant as a strictly legal definition) scientists are firing atoms at other atoms. At the moment of collision new and exciting discoveries can be witness, measured and used for the enhancement of Man. I might be paraphrasing here slightly. This might explain it differently or this
This is what I am doing (in my much more humble way and perhaps not for the benefit of the whole of Mankind) by moving onto Act Two. Once finished I can throw my atomic acts together and see what new mysteries are created/capturing and then go back and start adjusting life as I knew it before this moment of collision. I believe more experienced writers call that looking back and reflecting on “life as I knew it before this moment of collision” rewriting.
Seeing scenes/moments/acts as God Particle experiments is much more sexy, exciting, deluding no??
June 26, 2008
Signed up to Jurgen Wolff’s creative brainstorming monthly email. Just received the first one. Looks kind of interesting for tuition purposes as regards exercises. A good resource to point people to.
Wolff is one of the many script guru’s knocking about. Mckee, Seger, Field, Freeman. Check out his site
Check the newsletter out. I think it’s kinda interesting as it’s seems to be about brainstorming and inspiration rather then more formal scripting stuff. Go here to sign up . There’s a button you can click to sample the newsletter before signing up.
June 25, 2008
As of this morning, I’ve made an adjustment to my creative commons license. See About page for new details. Basically, its read, enjoy but don’t recreate.
June 24, 2008
It was a good day over at Demontfort Uni last Wednesday. Good facilities over in the Creative Technology Suites. Well resourced with AV equipment. Audio stuff especially, was very impressive.
Structure of the day was to record two creative drama of 3 mins max to be edited at a later date, emphasis on writing and recording. Only an hour for each drama so intensive day. We were in a group of three with an actor and BBC person also.
piece number one was called the last straw and involved a couple celebrating their divorce by taking a spectacular hot air balloon ride, the second was called fences and was about a guy who hates the world so much he fences himself and his house away!
Reminded me of when I worked at BBC East Midlands Today as regards the turnaround time. Good day. Intend to get involved in the editing and think the audiotheque site is a good resource for getting work out there. A drama that one of the other groups (there were 4) produced is on the site.
June 20, 2008
Working towards my August deadline been writing alot. Working from my treatment. I don’t usually have such a detailed treatment to work from as I find writing them difficult as they seem so full of cliche. Was pleased to get to an act break and realise I had only perhaps 20 minutes on stage so far. Looking at around 45 minutes, interval, then 60 mins. This was really reassuring for me as it said i need to invent lots of stuff. I thought writing such a detailed treatment would result in a join the dots exercise . Only having 20 mins is fantastic as it leaves lots of room to integrate the way I usually work which is to start from seemingly random ideas I have had, shoehorned into the piece in a not too considered way. To create momentum for the piece this way of working forces me to be elliptical, use metaphor and imagery to make sense of the scenes joined for the coherent whole. This of course is where the power lies. This is the home of the idea, the scene, sequence or piece driver lives in this space.
Of course this collision forces changes to these random ideas but that sense of the random can be carried (either very strongly or not) as appropriate. I spoke in an earlier post about how I bought August Wilson’s century cycle as a result of reading in an interview how he works in what I felt to be a similar random collection method so this combination of the more traditional treatment/plot it all method and the random collection method are so far proving enjoyable and illuminating.
Check out this YouTube series of writers talking. it’s called The Dialogue. Interestingly different ways of working profiled.
So all in all a very enjoyable time is being had.
June 17, 2008
Off to Demontfort tomorrow for radio day. Based on their suggested titles i’ve written another short piece.
Looking forward to the day.
June 16, 2008
Had a twp feedback meeting this morning based on my draft treatment. Going ahead to write the first draft of the treatment now with August 1st as deadline.
Notes were about the idea of dynamic changes of status , trying to get more immediacy into the piece, more at stake in the present on stage. Talked around various ways of doing this. Now it’s head down and knock it out. Hoorah!
I might pick random moment to start or I might surprise myself and write the beginning first and then go from there!
June 13, 2008
Attending a BBC Radio Drama day at DeMonfort University on Wed 18th in the Queens Building. Aim of the day is to produce a “short (1-3 min) pieces recorded and ready to be edited”. Structure is to have “small groups, each group with one BBC producer to advise.”
I’ve written something already which you can see below.
They’ve suggested possible titles:
You never know what’s around the corner
Voyage and return
It’s better to have loved and lost…
The wick and the match
Two flights to go
Divide and conquer
The last straw
Tale of the unexpected
No turning back
One minute to go
The last request
with the idea being that each script “might have the climax/turning point of the piece centred on a sound.”
I’m going to try and write a few pieces using these titles. Here’s the piece I’ve written already.
June 12, 2008
Working on a new project. The feedback I had after the non-DV shorts commission has led me to this project. It is a research & development piece and a showreel/portfolio piece. It uses elements that would be suitable to support any future development of Carcass
read synopsis. fossilsynopsis1
Researching visual ideas, working out story points, doing practical (where do I get X from?) research. Looking to get an application in to EM Media in the next month.
June 3, 2008
Just seen this. Competition. Click on Sharps link. Going to enter carcass for it. Send something in if you have something. You never know…
BBC Writers Room is a good resource I think. The script reading service is good, Not that many places read unsolicited scripts and provide feedback on it for free!!